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For me,

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this project widened my perception of the ocean.

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I had already been invited to do a project involving endangered marine animals

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and then I had the opportunity

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to realize the range of activities happening in the ocean, which we seldom see.

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Media rarely exposes these topics and with this project,

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I could see the complexities of issues behind what is happening.

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We have been blind to the piracy, the slavery.

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So, now we open our eyes a little more to these questions.

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When we go to the beach, we only see the good side of things,

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the natural beauty.

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We never imagined that there were so many things going wrong.

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Slavery on the high seas.

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After I got to know the story in the book by journalist, Ian Urbina,

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I paid much closer attention

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to the work Ian is doing in this fight.

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I didn't know how much wrongdoing was happening throughout the world, a world covered by a much bigger area of ocean than land.

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So many more things happen than we could ever imagine.

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In reality, there is piracy and slavery

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in the middle of 2022. We are still talking about slavery.

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It's a very important issue, to which we often don't pay as much attention as we should.

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I had no idea. I found out about all this

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after getting to know The Outlaw Ocean.

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Because when all of us from the countryside go to the beach,

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go to the coast just to hang out drinking beer,

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we can't imagine that a lot of sad things happen in this area,

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like slavery, labor abuses, the death of marine animals.

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We simply don't have that perception.

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Journalism,

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the people who do the reporting are in contact with this world.

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Journalists bring these issues to light in the media and spread the information,

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revealing what they saw.

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So, without them, maybe these issues wouldn't be where they have to be.

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It's a marriage. The artist,

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journalism, photographs..

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All these components work together.

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This project has to reach the right people

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to increase the collaboration

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and reach a wider audience to have more strength.

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And with this larger presence, it will expand

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to a greater degree, the vision of graffiti, of the lawless ocean,

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and of the mural itself.

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For me, what I did, which is different in the project,

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is to create an awareness not only

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of the artist and journalism, but also of the people that visit the mural. It’s also about the people in contact

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with the art, the people passing by the mural,

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the people who want to know what's going on and about what this is.

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So it will touch more people.

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So, with art, we can sometimes express

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everything people want

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in a message through a drawing.

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So, we manage to reach both the elderly and a child,

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maybe with the same design, but with unique perceptions of different things.

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But we can reach everyone.

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Art gets a lot of attention

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of older people, children.

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It stimulates a curiosity

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to know why things are a certain way.

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Perhaps the person who is here in Estiva

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has never encountered graffiti and these maritime problems before.

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Maybe they will try to find out where it's happening, what the project is

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and they will find a link to the project through the QR CODE that will be here, where they will

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have access to everything that is happening and the material in the book.

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I think that's how you can connect with people more easily.

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What I did was to study the book a little, to know the information more in depth.

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I studied the history so I could portray it in my art.

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I wanted to communicate directly

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with people about the project, to

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try to reach whoever passes by and

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whoever is interested in the mural,

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and have an impact,

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just as learning the history of the project had an impact on me.

